1. beep boop blog announcement

    fuckyourwritinghabits:

    mtr-amg:

    fuckyourwritinghabits:

    Sorry, writerlings, but I have to note I’m taking amandaonwriting off the blog recommendation list. You don’t post shit like this as writing advice. Shit like that is why women get written as things and objects, and not as people, and that’s not what I want to see be encouraged in writing as a whole.

    Beep boop back to your regularly scheduled posts.

    no - what you need is shit like this - http://aidanmoher.com/blog/featured-article/2013/05/we-have-always-fought-challenging-the-women-cattle-and-slaves-narrative-by-kameron-hurley/

    good shit… 

    Fuck yeah Kameron Hurley. (Also please read this, if you’re wondering why that quote is upsetting.)

     
  2. abolished-your-mythology:

    mocosyamores:

    qbits:

    thepeoplesrecord:

    Going beyond the Western gender binary - unlearning our backward cultural conditioning 

    In Western colonial society (which dominates many aspects of the globalized, capitalist world today) we operate under the presumption that there are only two genders, male and female. But gender is a social construction. One’s options for what gender they identify with are shaped by the culture they are born into. Biological factors are most-often the primary driving forces that choose among the available socially-constructed gender categories.

    Cultures around the world have different ways of talking about, thinking about, and identifying gender. It’s often a challenge for (particularly cis-sexual) Westerns to think about other ways gender can be socially constructed. Westerns have the false equivalency of gender and sex drilled into their eternal psyche from the time they are very young, and re-enforced through examples in popular culture. There is no biological reality to gender. Many Westerners have the bizarre belief that one’s XY-sex-determination should also inform one’s gender identity, a socially constructed role in society.

    In some cultures, there is no distinction made between gender and sexual orientation and the same can be said for sexual orientation - our culture socially-constructs the options and our biology helps us identify which socially-constructed option feels most ‘right’ and best resonates with us.

    I’ve attached some photos to offer some examples of non-colonial, non-Western construction of gender. They’ve all been uploaded onto our Facebook page photostream in case you’d like to ‘like’ or ‘share’ them there. There are literally hundreds of ‘third-gender’ identifying peoples around the world. The eight I’ve chosen are mostly examples I remember from some of my anthropology courses but if you google ‘third genders’ you can find many lists and examples.

    Who cares? Why it matters.

    The most obvious reason to care about the way our culture has constructed gender and sexual orientation is to deepen one’s capacity for solidarity with people who identify as transgender, transsexual, and others whose gender or sexual identity exists outside of binary Western culture.

    But there are other reasons as well. Western culture’s binary nature often creates non-sensical, problematic binary identity constructions that are inherently problematic. For example, I believe that Western masculinity (dominance, aggression, lack of communication, lack of emotional expression, etc) is inherently problematic. I believe that to be the reason why most acts of large-scale-violence and terror are committed by men (see: 100% of the mass school shootings in the United States), and I believe it fosters a degree of internal misery within people who heavily adopt these particular ‘masculine’ traits.

    In the age of information, and the age of global connectivity, there is no longer any reason (particularly for young people) to feel isolated or restricted to Western definitions of gender, sexual orientation and identity in general. I think the social ramifications of a generation where more and more people begin to identify outside of the gender binary would be tremendous, and I think we should all consider how we can unlearn our cultural conditioning to embrace other, perhaps less exploitative and dominating identities.

    Background information on the identities depicted in the above images:

    Hijras
    Hijras are male-body-born, feminine-gender-identifying people who live in South Asia (mostly in India & Nepal). Many Hijras live in well-defined, organized, all-Hijra communities, led by a guru.

    Although many Hijras identify as Muslim, many practice a form of syncretism that draws on multiple religions; seeing themselves to be neither men nor women, Hijras practice rituals for both men and women.

    Hijras belong to a special caste. They are usually devotees of the mother goddess Bahuchara Mata, Lord Shiva, or both.

    Nandi female husbands
    Among the Nandi in Western Kenya, one social identity option for women is to become a female husband, and thus a man in society’s eyes. Female husbands are expected to become men and take on all of the social and cultural responsibilities of a man, including finding a wife to marry and passing on property to the next generation through marriage. Female husbands may have lived their lives as women and may even be married to a man, but once she becomes a female-husband, she is expected to be a man. Women married to female-husbands may have sex with single men uninterested in commitment in order to become pregnant, but the female-husband (who is often an older woman, often a widow) will father the child of said pregnancy and treat the child like her own.

    Two-spirited people
    Two-Spirit is an umbrella term sometimes used for what was once commonly known as ‘berdaches’, Indigenous North Americans who fulfill one of many mixed gender roles found traditionally among many Native Americans and Canadian First Nations communities. The term usually indicates a person whose body simultaneously manifests both a masculine and a feminine spirit. Male and female two-spirits have been “documented in over 130 tribes, in every region of North America.”

    Travesti
    In South America (with a large presence in Brazil), a travesti is a person who was assigned male at birth who has a feminine gender identity and is primarily sexually attracted to masculine men. Therefore, sometimes the distinction between gender identity and sexual orientation is not made. Travestis have been described as a third gender, but not all see themselves this way.Travestis often will begin taking female hormones and injecting silicone to enlargen their backsides as boys and continue the process into womanhood.

    The work of cultural Anthropologist Don Kulick (a gay male by Western definitions) in Brazil demonstrated that gender construction in Brazil is binary (like Western gender construction), but unlike Western gender construction, instead of having a male-female binary, there is a male-notmale.

    In this particular construction of gender:

    • Males include: men who have sex with women, men who have sex with Travestis but are never on the receiving end of anal sex, men who have sex with men but are never on the receiving end of anal sex.
    • Not-males include: women, men who receive anal sex from ‘male’ gay men or from Travestis.

    Fa’afafine
    Fa’afafine are the gender liminal, or third-gendered people of Samoa. A recognized and integral part of traditional Samoan culture, fa’afafine, born biologically male, embody both male and female gender traits. Their gendered behavior typically ranges from extravagantly feminine to mundanely masculine

    Waria
    Waria is a traditional third general role found in modern Indonesia. Additionally, the Bugis culture of Sulawesi (one of the four larger Sunda Islands of Indonesia) has been described as having three sexes (male, female and intersex) as well as five genders with distinct social roles.

    Six Genders of old Israel
    In the old Kingdom of Israel (1020–931 BCE) there were six officially recognized genders:

    • Zachar: male
    • Nekeveh: female
    • Androgynos: both male and female
    • Tumtum: gender neutral/without definite gender
    • Aylonit: female-to-male transgender people
    • Saris: male-to-female transgender people (often inaccurately translated as “eunuch”)

    Kathoey (often called ‘ladyboys’)
    Australian scholar of sexual politics in Thailand Peter Jackson’s work indicates that the term “kathoey” was used in pre-modern times to refer to intersexual people, and that the usage changed in the middle of the twentieth century to cover cross-dressing males, to create what is now a gender identity unique to Thailand. Thailand also has three identities related to female-bodied people: Tom, Dee, and heterosexual woman.

    -Robert

    Excellent overview of non-binary gender categories. Sadly, Western imperialism has all but extirpated many traditional concepts of non-dualistic sex and gender categories through residential schools and religious indoctrination. -Q

    This gives me all kinds of gender life and power.

    I just applauded so hard it hurt my hands. I didn’t even know about all of these! When I was my house’s diversity rep, we made “identity bracelets”  (each person got a particular color bead for a facet of their identity; country of origin, religious/spiritual beliefs, dis/ability, sexual/romantic orientation, etc.) and one of my questions about gender ID was “does anyone identify as a non-Western gender identity such as hijra, xanith, or two-spirit?”; nobody replied “yes” to those, and I had to explain all three. I had not known about travesti, fa’afafine, waria, the genders of Old Israel, or kathoey.

     
  3. 12:34

    Notes: 18249

    Reblogged from kissing-the-shoreline

    Tags: referenceDrug dealsCat Steps

    image: Download

    mitunas-choice-rump:

neongenesisevangaylion:

tbch:

neongenesisevangaylion:

why does this dollar bill have a horse stamp

FUN FACT: I found this out while working my many years in retail. I once had a customer who worked for a record label pay me in cash that (mainly consisted of $50’s and $100’s) had a number of different little stamps on them like this one, like 4-leaf clovers, bicycles, a running horse, a peace sign…etc Well I asked, “what’s with all the stamps?” He said that each stamp represents a different drug dealer that the bill has been handled by. It’s a way for drug dealers to keep track of what bills they’ve already received and know if they’re being jipped or not by recieving a bill that they’ve already previously marked.


wow that’s actually interesting and makes sense. thanks

omfg i’ve actually had a 50$ bill that had a 4 leaf clover on it before 

    mitunas-choice-rump:

    neongenesisevangaylion:

    tbch:

    neongenesisevangaylion:

    why does this dollar bill have a horse stamp

    FUN FACT: I found this out while working my many years in retail. I once had a customer who worked for a record label pay me in cash that (mainly consisted of $50’s and $100’s) had a number of different little stamps on them like this one, like 4-leaf clovers, bicycles, a running horse, a peace sign…etc
    Well I asked, “what’s with all the stamps?” He said that each stamp represents a different drug dealer that the bill has been handled by. It’s a way for drug dealers to keep track of what bills they’ve already received and know if they’re being jipped or not by recieving a bill that they’ve already previously marked.

    wow that’s actually interesting and makes sense. thanks

    omfg i’ve actually had a 50$ bill that had a 4 leaf clover on it before 

     
  4. 00:57

    Notes: 7

    Reblogged from betterthandarkchocolate

    Tags: PTSDPsychreference

    betterthandarkchocolate:

    Post-traumatic stress disorder (PTSD): Trauma (by NAMILosAngeles)

     
  5. 21:57 16th May 2013

    Notes: 194

    Reblogged from writeworld

    Tags: referenceYAAdultFiction

    Is your story YA, NA, or Adult?

    keyboardsmashwriters:

    Anonymous asked you:

    I have a genre question. I’m in the middle of editing my novel WIP and I’ve hit a crossroads. My novel is told from multiple POVs of a family, including teenage children and the parents. Trying to keep future publication in mind: Should I cut out the parent POVs for a move toward YA? Should I cut out the teenager POVs for a move toward marketable mainstream/women’s fiction? Can I sell a book with POVs across generations? THANK YOU!


    The question of YA (young adult) or adult is actually a question of category, not genre. Those are terms for publishers to decide where books go and how to market them, and genres exist within those categories.

    Now, there’re two things to keep in mind. Firstly, the age of your characters isn’t what separates a book from being YA or adult (on a side note, while age does play a major factor in YA, it’s not a steadfast factor). What determines whether a book is one or the other is theme, or themes, or how the readers can relate to what’s happening.

    As an example, common YA themes are coming of age, self-identification, bodily changes, exploring sexuality, growing independence, issues with life at school, and transitioning into adulthood, among many others.

    Secondly, this means you can have a YA main character who’s a thousand years old, but she fits into YA because she’s learning about who she is and how she’s supposed to see herself in the world and she’s found a boy (or girl, or someone who identifies as both or neither, or what-have-you) that she’s developing feelings for – etc.

    The adult market, however, is much looser, much broader, and can encompass more. Age doesn’t matter.

    And to be fair, I should also mention the NA (new adult) market, which has been growing and becoming more widely accepted than it was even a couple years ago. Some literary agents will look at NA, some absolutely won’t, so be aware of that.

    NA themes are more along the transitional stage of college, post-college and trying to make a living, finding a place in society, that awkward in-between stage of teenagerdom and adulthood, so on and so forth.

    Keep in mind also that the NA market is still very small. Bookstores don’t typically recognize NA (especially the big chains) because, in the past, NA didn’t sell well on the shelves. However, I’ve seen a good many book bloggers who’re very interested in NA books, which means there’s definitely a demand.

    OKAY. So. To me, your idea sounds like it would most likely be better suited towards contemporary women’s fiction (I assume no paranormal or thriller or science fiction elements are present!) because, from what you’ve given me, it sounds like a story about an overall family dynamic. In that case, adult for sure.

    I’d only suggest ever cutting out POVs if they’re not holding up their end of the story – as in, if they’re not adding anything to the plot, working well with the other POVs, or pretty much boring to read. Taking out the parents’ POVs will completely change your story around, and will the remaining POVs be able to hold up the entire story on their own? Or does hacking off the other perspectives take away something that makes your story yours? Don’t cut off limbs just to fit in a box – find a bigger box.

    Hope that helps! Good luck!

     
  6. owlapin:

    owlapin:

    owlapin:

    MICROSOFT WORD HAS A FUCKING “INSERT CITATION” BUTTON WHY THE FUCK DID NO ONE EVER TELL ME THIS IS SIGNIFICANT INFORMATION FUCK THE SCHOOL SYSTEM THIS IS MICROSOFT WORD 2007 I SHOULD HAVE BEEN MADE AWARE OF THIS IN HIGHSCHOOL WHAT THE ACTUAL FUCK I HATE EVERYTHING

    you can fucking log your sources into your document and then at the end press a fucking button and it makes a bibliography page for you im

    image

    im not even lying im so mad

     
  7. 14:44 12th May 2013

    Notes: 307

    Reblogged from artemis-crock

    Tags: Fontsreference

    niftyncrafty:

    25 Great Party Fonts | The Red Thread 

    1. Sail, by Latinotype. 2. Pablo Skinny, by Paul Wilde L’Heureux. 3. Bookeyed Nelson, by Tart Workshop. 4. CAC Champagne, by American Greetings. 5. Century Schoolbook, by Morris Fuller Benton. 6. Nevis, by Ten by Twenty. 7. Rockwell, by Monotype. 8. Parisienne, by Astigmatic One Eye. 9. Pacifico, by Vernon Adams. 10. Ostrich Sans, by Tyler Finck. 11. Bell MT, by Richard Austin. 12. Lobster Two, by Pablo Impallari. 13. Edwardian Script ITC, by Edward Benguiat. 14. Dalle, by Neal Fletcher. 15. Georgia, by Matthew Carter + Tom Rickner. 16. Fertigo Pro, by Exljbris. 17. Kitchener, by Caffeen. 18. Windsong, by Bright Ideas. 19. Alana Pro, by Laura Worthington. 20. Bernhard Fashion, by Lucian Bernhard. 21. Learning Curve, by Blue Vinyl Fonts. 22. Baskerville Old Face, by Stephenson Blake. 23. Century Gothic, by Monotype. 24. Brannboll, by Måns Grebäck. 25. MS Gothic, by Ricoh Company.

     
  8. For the Writers out there: Common Injuries And How To Treat Them

    fleetfootfox:

    jellicleoverlord:

    In my experience, RPers and Writers alike enjoy one thing: Making characters suffer. This little guide is supposed to help you with keeping injuries and the First Aid - in case you want to patch your character back together - realistic. 
    I am no medical professional, but I dare say I picked up a thing or two during my First Aider training ;)

    Under read more for length! Also, trigger warnings for blood, I suppose?

    Read More

    Useful advice about first aid.

     
  9. image: Download

    thepurestofhearts:

thats-not-victorian:

Hey, guys!  So, we’re all familiar with Cyberpunk and Steampunk, but there are so many more alternate histories/speculative science fiction genres out there!  I came across this handy-dandy infographic and figured I could share a bit of these punk genres for anyone interested.
Steampunk Roughly covers the Western world during the mid- to late-19th century (ie:  Victorian era, US wild west, etc.), and sometimes up to the Edwardian era.
Dieselpunk1920s up through WWII, ending at just about the Cold War.
DecopunkA cleaner, artistic, more “optimistic” version of Dieselpunk (same time period)
ClockpunkCovers the time of the Renaissance (think da Vinci)
AtompunkCold War era, ie: the Space Race
TeslapunkDerivative of Steampunk, but focuses on electricity rather than steam.
SplatterpunkExplicit horror and gore
BiopunkBiotechnology, genetics (part science fiction, part real life)
NanopunkNanotechnology, sometimes overlaps with Biopunk
CyberpunkThe granddaddy of them all:  computer technology, the internet, hackers, etc. 
Others not included in the infographic
ElfpunkFantasy-based, features creatures like elves and fairies.
MythpunkMythology and folklore, includes urban fantasy.
Seapunk?
Stonepunk, Bronzepunk, Plaguepunk

amazing. I can stop referring to that one story as Steampunk since I knew it wasn’t. Dieselpunk!

    thepurestofhearts:

    thats-not-victorian:

    Hey, guys!  So, we’re all familiar with Cyberpunk and Steampunk, but there are so many more alternate histories/speculative science fiction genres out there!  I came across this handy-dandy infographic and figured I could share a bit of these punk genres for anyone interested.

    • Steampunk
      Roughly covers the Western world during the mid- to late-19th century (ie:  Victorian era, US wild west, etc.), and sometimes up to the Edwardian era.
    • Dieselpunk
      1920s up through WWII, ending at just about the Cold War.
    • Decopunk
      A cleaner, artistic, more “optimistic” version of Dieselpunk (same time period)
    • Clockpunk
      Covers the time of the Renaissance (think da Vinci)
    • Atompunk
      Cold War era, ie: the Space Race
    • Teslapunk
      Derivative of Steampunk, but focuses on electricity rather than steam.
    • Splatterpunk
      Explicit horror and gore
    • Biopunk
      Biotechnology, genetics (part science fiction, part real life)
    • Nanopunk
      Nanotechnology, sometimes overlaps with Biopunk
    • Cyberpunk
      The granddaddy of them all:  computer technology, the internet, hackers, etc. 

    Others not included in the infographic

    amazing. I can stop referring to that one story as Steampunk since I knew it wasn’t. Dieselpunk!

     
  10. 12:59 7th May 2013

    Notes: 305296

    Reblogged from fuckyourwritinghabits

    Tags: WritingreferenceVocab

    (Source: artandalcohol)